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DTSTART;TZID=America/New_York:20260819T100000
DTEND;TZID=America/New_York:20260819T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021481-1787133600-1787162400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-19/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260820T100000
DTEND;TZID=America/New_York:20260820T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021482-1787220000-1787248800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-20/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260821T100000
DTEND;TZID=America/New_York:20260821T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021483-1787306400-1787335200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-21/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T100000
DTEND;TZID=America/New_York:20260822T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021484-1787392800-1787421600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-22/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T100000
DTEND;TZID=America/New_York:20260823T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021485-1787479200-1787508000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-23/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T100000
DTEND;TZID=America/New_York:20260826T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021486-1787738400-1787767200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-26/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260827T100000
DTEND;TZID=America/New_York:20260827T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021487-1787824800-1787853600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-27/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T100000
DTEND;TZID=America/New_York:20260828T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021488-1787911200-1787940000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-28/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T100000
DTEND;TZID=America/New_York:20260829T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021489-1787997600-1788026400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-29/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260830T100000
DTEND;TZID=America/New_York:20260830T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021490-1788084000-1788112800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-30/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260830T110000
DTEND;TZID=America/New_York:20260830T121500
DTSTAMP:20260811T191048Z
CREATED:20260811T191048Z
LAST-MODIFIED:20260811T191048Z
UID:10022976-1788087600-1788092100@305hive.com
SUMMARY:MOAD Moves: Salsa Workshop with Michelle Gonzalez de la Cruz
DESCRIPTION:Learn how to salsa in a free and fun class for beginners of all ages! \nWithout a doubt\, any time you spend in Miami will involve salsa music\, so why not learn how to dance to it? \nJoin us in the Freedom Tower’s Knight Skylight Gallery for MOAD Moves: Salsa Workshop with Michelle Gonzalez de la Cruz. \nIn this beginner-friendly class\, instructor de la Cruz will teach attendees the fundamentals of salsa footwork and timing. Once everyone is comfortable with the basics\, the class will then enjoy putting it all together\, practicing the moves in a fun and supportive environment. \nPerfect for all ages\, the class is open to the public and free to attend. \nAttendees may park for free at MDC’s Parking Lot 1\, located on the south side of the Freedom Tower. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/moad-moves-salsa-workshop-with-michelle-gonzalez-de-la-cruz/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/png:https://305hive.com/wp-content/uploads/2026/08/Option-3_HORIZONTAL_MOAD-MOVES_SALSA-scaled.png
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260902T100000
DTEND;TZID=America/New_York:20260902T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021491-1788343200-1788372000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-02/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260903T100000
DTEND;TZID=America/New_York:20260903T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021492-1788429600-1788458400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-03/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T100000
DTEND;TZID=America/New_York:20260904T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021493-1788516000-1788544800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-04/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260905T100000
DTEND;TZID=America/New_York:20260905T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021494-1788602400-1788631200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-05/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260906T100000
DTEND;TZID=America/New_York:20260906T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021495-1788688800-1788717600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-06/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T100000
DTEND;TZID=America/New_York:20260909T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021496-1788948000-1788976800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-09/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T100000
DTEND;TZID=America/New_York:20260910T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021497-1789034400-1789063200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-10/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T100000
DTEND;TZID=America/New_York:20260911T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021498-1789120800-1789149600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-11/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260912T100000
DTEND;TZID=America/New_York:20260912T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021499-1789207200-1789236000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-12/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260913T100000
DTEND;TZID=America/New_York:20260913T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021500-1789293600-1789322400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-13/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260916T100000
DTEND;TZID=America/New_York:20260916T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021501-1789552800-1789581600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-16/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260917T100000
DTEND;TZID=America/New_York:20260917T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021502-1789639200-1789668000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-17/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260918T100000
DTEND;TZID=America/New_York:20260918T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021503-1789725600-1789754400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-18/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T090000
DTEND;TZID=America/New_York:20260919T100000
DTSTAMP:20260814T153124Z
CREATED:20260814T153124Z
LAST-MODIFIED:20260814T153124Z
UID:10022993-1789808400-1789812000@305hive.com
SUMMARY:MOAD Moves with Romina Carpio
DESCRIPTION:Join MOAD for a special yoga class in the Knight Skylight Gallery at the Freedom Tower. \nRomina (Romi) began practicing yoga back in 2017\, the physical aspect of yoga served as a launch pad and she quickly fell in love with the practice and aimed to explore many different types of yoga. A practice that was a hobby quickly turned into a passion. Her love of yoga pushed Romina to pursue her 200-hr yoga teacher training in Orlando\, FL and she now teaches in many different areas in Miami. Romina enjoys teaching vinyasa flow and gentle flows with creative transitions\, focusing on strengths\, stability and alignment. \nWhether you are a beginner or advance practitioner\, using movement and breathwork\, rest assure you’ll leave feeling transformed in all aspects of the mind\, body\, and spirit. \nAdmission to the Freedom Tower exhibitions and galleries following the class is included with your RSVP. \nAttendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nPlease bring your own yoga mat. Yoga mats will not be available onsite. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/moad-moves-with-romina-carpio-6/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/08/Yoga-picture2-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T100000
DTEND;TZID=America/New_York:20260919T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021504-1789812000-1789840800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-19/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260920T100000
DTEND;TZID=America/New_York:20260920T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021505-1789898400-1789927200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-20/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T100000
DTEND;TZID=America/New_York:20260923T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021506-1790157600-1790186400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-23/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260923T183000
DTEND;TZID=America/New_York:20260923T200000
DTSTAMP:20260807T213409Z
CREATED:20260807T213409Z
LAST-MODIFIED:20260807T213409Z
UID:10022965-1790188200-1790193600@305hive.com
SUMMARY:MOAD Talks with Sports Journalist Michelle Kaufman
DESCRIPTION:Join Amy Galpin\, Executive Director of the Museum of Art and Design\, for a lively conversation with Miami icon Michelle Kaufman. \nA longtime writer for the Miami Herald\, Michelle Kaufman has covered seven World Cups. The evening will include stories of past World Cups\, insight into the changing field of sports journalism\, and behind the scenes tales of interviews with leading athletes\, including Inter Miami’s own Leo Messi. \nLight refreshments will be served. \nThis event is free and open to the public. \nEvent attendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/moad-talks-with-sports-journalist-michelle-kaufman/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/08/MichelleKaufmanHeadShot.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260924T100000
DTEND;TZID=America/New_York:20260924T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021507-1790244000-1790272800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-09-24/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
END:VCALENDAR