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DTSTART;TZID=America/New_York:20260705T100000
DTEND;TZID=America/New_York:20260705T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021450-1783245600-1783274400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-05/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260704T100000
DTEND;TZID=America/New_York:20260704T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021449-1783159200-1783188000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-04/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260703T100000
DTEND;TZID=America/New_York:20260703T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021448-1783072800-1783101600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-03/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260702T100000
DTEND;TZID=America/New_York:20260702T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021447-1782986400-1783015200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-02/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260701T100000
DTEND;TZID=America/New_York:20260701T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021446-1782900000-1782928800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-01/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260628T100000
DTEND;TZID=America/New_York:20260628T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021445-1782640800-1782669600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-28/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T100000
DTEND;TZID=America/New_York:20260627T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021444-1782554400-1782583200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-27/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260626T100000
DTEND;TZID=America/New_York:20260626T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021443-1782468000-1782496800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-26/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260625T100000
DTEND;TZID=America/New_York:20260625T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021442-1782381600-1782410400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-25/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260624T100000
DTEND;TZID=America/New_York:20260624T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021441-1782295200-1782324000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-24/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260621T100000
DTEND;TZID=America/New_York:20260621T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021440-1782036000-1782064800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-21/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260620T100000
DTEND;TZID=America/New_York:20260620T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021439-1781949600-1781978400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-20/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T100000
DTEND;TZID=America/New_York:20260619T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021438-1781863200-1781892000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-19/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T100000
DTEND;TZID=America/New_York:20260618T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021437-1781776800-1781805600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-18/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T100000
DTEND;TZID=America/New_York:20260617T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021436-1781690400-1781719200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-17/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260614T100000
DTEND;TZID=America/New_York:20260614T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021435-1781431200-1781460000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-14/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T110000
DTEND;TZID=America/New_York:20260613T120000
DTSTAMP:20260429T155433Z
CREATED:20260429T155433Z
LAST-MODIFIED:20260429T155433Z
UID:10021336-1781348400-1781352000@305hive.com
SUMMARY:MOAD Moves with Marisol Blanco and the Sikan Afro-Cuban Dance Project
DESCRIPTION:Join choreographer and educator Marisol Blanco for an immersive Afro-Cuban folk dance experience presented as part of MOAD Moves in the Knight Skylight Gallery at the Freedom Tower. Accompanied by three live percussionists and a vocalist\, participants will be guided through traditional movements rooted in the cultural and spiritual practices of the Afro-Cuban dance. This interactive session offers a unique opportunity to connect with rhythm\, history\, and embodied storytelling through dance. \nMarisol Blanco is a performing artist\, choreographer\, and dance and music educator with over 30 years of experience dedicated to artistic practice and community engagement. Blanco holds a Masters at Cuba’s prestigious Higher Institute of Art (ISA) and recently completed her second Master of Fine Arts in Choreography at the Linda Berry Stein College of Fine Arts at Jacksonville University. Her work centers on preserving and sharing Afro-Cuban cultural traditions through performance and education. \nAdmission to the Freedom Tower exhibitions and galleries following the class is included with your RSVP. \nEvent attendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/moad-moves-with-marisol-blanco-and-the-sikan-afro-cuban-dance-project/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/04/FT-MOAD-Moves-with-Marisol-Blanco-491.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260613T100000
DTEND;TZID=America/New_York:20260613T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021434-1781344800-1781373600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-13/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260612T100000
DTEND;TZID=America/New_York:20260612T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021433-1781258400-1781287200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-12/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260611T100000
DTEND;TZID=America/New_York:20260611T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021432-1781172000-1781200800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-11/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260610T100000
DTEND;TZID=America/New_York:20260610T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021431-1781085600-1781114400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-10/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260609T183000
DTEND;TZID=America/New_York:20260609T203000
DTSTAMP:20260603T151502Z
CREATED:20260603T151502Z
LAST-MODIFIED:20260603T151502Z
UID:10022160-1781029800-1781037000@305hive.com
SUMMARY:Screening of Estamos Conectados
DESCRIPTION:Join the Museum of Art and Design (MOAD) at the Freedom Tower for a screening of Estamos Conectados. \nThis documentary\, directed by Ernesto Fundora\, explores the life and work of Luis Manuel Otero Alcántara\, one of Cuba’s most unconventional artists\, who defied the Cuban regime through performance art. \nHis activism eventually led to the rise of the political resistance movement Movimiento San Isidro\, named after the street where he lived. His relentless opposition to the Cuban government inspired the anthem “Patria y Vida” which galvanized a generation of young Cubans and helped spark the historic anti-government protests of July 11\, 2021. \nNow imprisoned for his political activism\, Luisma\, as he is known to his supporters\, was named by Time magazine as one of the 50 most influential people of our era. \nThis event is presented in conjunction with the Institute for Freedom in the Americas at Miami Dade College. \nEvent attendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/screening-of-estamos-conectados/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/06/IMG_5003.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260607T100000
DTEND;TZID=America/New_York:20260607T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021430-1780826400-1780855200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-07/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260606T100000
DTEND;TZID=America/New_York:20260606T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021429-1780740000-1780768800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-06/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260605T100000
DTEND;TZID=America/New_York:20260605T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021428-1780653600-1780682400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-05/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260604T100000
DTEND;TZID=America/New_York:20260604T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021427-1780567200-1780596000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-04/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260603T100000
DTEND;TZID=America/New_York:20260603T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021426-1780480800-1780509600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-06-03/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260531T100000
DTEND;TZID=America/New_York:20260531T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021425-1780221600-1780250400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-05-31/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260530T100000
DTEND;TZID=America/New_York:20260530T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021424-1780135200-1780164000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-05-30/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260529T100000
DTEND;TZID=America/New_York:20260529T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021423-1780048800-1780077600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-05-29/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
END:VCALENDAR