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DTSTART;TZID=America/New_York:20260723T100000
DTEND;TZID=America/New_York:20260723T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021462-1784800800-1784829600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-23/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260724T100000
DTEND;TZID=America/New_York:20260724T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021463-1784887200-1784916000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-24/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260725T100000
DTEND;TZID=America/New_York:20260725T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021464-1784973600-1785002400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-25/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260726T100000
DTEND;TZID=America/New_York:20260726T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021465-1785060000-1785088800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-26/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260729T100000
DTEND;TZID=America/New_York:20260729T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021466-1785319200-1785348000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-29/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260730T100000
DTEND;TZID=America/New_York:20260730T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021467-1785405600-1785434400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-30/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260730T183000
DTEND;TZID=America/New_York:20260730T200000
DTSTAMP:20260519T185424Z
CREATED:20260519T185424Z
LAST-MODIFIED:20260519T185424Z
UID:10021587-1785436200-1785441600@305hive.com
SUMMARY:Miami as Archive: Memory\, Place\, and the Legacy of Purvis Young
DESCRIPTION:Join the Museum of Art and Design (MOAD) at MDC for a discussion centered on the works of Purvis Young as a lens through which to consider broader questions of artistic legacy. \nThis MOAD Talks panel brings together three South Florida cultural practitioners: Tayina Deravile\, Cultural Arts Practitioner\, Independent Curator\, and Gallery Manager at Girls’ Club; Barbara Young\, Art Librarian\, Curator\, and Art Services Supervisor for the Miami-Dade Public Library System\, as well as Co-founder of the Vasari Project; and Terrence Cribbs-Lórrant\, Executive Director and Cultural Curator of the Black Police Precinct and Courthouse Museum. Through exhibition-making and public programming centered on the archives of Purvis Young\, each panelist has engaged Young’s work as a lens through which to consider broader questions of artistic legacy\, memory\, and archival practice in Miami. \nThis panel will examine their distinct cultural frameworks and consider how artist legacies shape and are shaped by archival practices in the city. In doing so\, the discussion highlights how their perspectives illuminate different dimensions of Young’s practice. The conversation will explore which aspects of Young’s visual language\, material choices\, and thematic concerns informed their creative processes. It will also reflect on how his work offers a lens for understanding memory\, place\, and archives in Miami\, as well as how his practice occupied and transformed space within South Florida art contexts. \nCollectively\, the panel situates Young’s legacy within Miami’s evolving art historical canon\, foregrounding his continued relevance to the city’s cultural and social landscape. \nBy engaging these voices\, the program invites audiences to encounter Young’s practice through layered perspectives\, revealing the many ways his work speaks to Miami’s histories of migration\, resilience\, spirituality\, race\, and urban change. \nEvent attendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form. \nImage: Purvis Young\, Group of Figures. Paint on board and wood\, ca. 1990. Donation of Mr. Richard Levine.
URL:https://305hive.com/event/miami-as-archive-memory-place-and-the-legacy-of-purvis-young/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/purvis-horizontal-artwork2-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260731T100000
DTEND;TZID=America/New_York:20260731T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021468-1785492000-1785520800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-07-31/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260801T100000
DTEND;TZID=America/New_York:20260801T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021469-1785578400-1785607200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-01/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260802T100000
DTEND;TZID=America/New_York:20260802T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021470-1785664800-1785693600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-02/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260805T100000
DTEND;TZID=America/New_York:20260805T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021471-1785924000-1785952800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-05/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T100000
DTEND;TZID=America/New_York:20260806T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021472-1786010400-1786039200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-06/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T183000
DTEND;TZID=America/New_York:20260806T203000
DTSTAMP:20260520T194951Z
CREATED:20260520T194951Z
LAST-MODIFIED:20260520T194951Z
UID:10021600-1786041000-1786048200@305hive.com
SUMMARY:MOAD Movies: The Last Days of the Miami News
DESCRIPTION:Join the Museum of Art and Design for a night at the movies when we screen The Last Days of the Miami News. \nThis documentary was shot during the last days of operation for the local newspaper the Miami News. Provided with unlimited access to all areas involved in the publication of the Miami News\, film director Mel Kiser captures the final events\, thoughts and activities of the staff as they prepare the final issue of the Miami News. \nKatharine Labuda\, Special Collections & Archives Librarian of Miami Dade-Public Library System\, will introduce the film. \nEvent attendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form. \nImage: Director Mel Kiser and cameraman Barry Shea film editorial cartoonist Don Wright as he draws his final cartoon for the last issue of the Miami News.
URL:https://305hive.com/event/moad-movies-the-last-days-of-the-miami-news/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/p17273coll56_7_medium1.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260807T100000
DTEND;TZID=America/New_York:20260807T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021473-1786096800-1786125600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-07/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T090000
DTEND;TZID=America/New_York:20260808T100000
DTSTAMP:20260608T170947Z
CREATED:20260608T170947Z
LAST-MODIFIED:20260608T170947Z
UID:10022172-1786179600-1786183200@305hive.com
SUMMARY:MOAD Moves with Romina Carpio
DESCRIPTION:Join the Museum of Art and Design (MOAD) for a special yoga class in the Knight Skylight Gallery at the Freedom Tower. \nRomina (Romi) began practicing yoga back in 2017\, the physical aspect of yoga served as a launch pad and she quickly fell in love with the practice and aimed to explore many different types of yoga. A practice that was a hobby quickly turned into a passion. Her love of yoga pushed Romina to pursue her 200-hr yoga teacher training in Orlando\, FL and she now teaches in many different areas in Miami. Romina enjoys teaching vinyasa flow and gentle flows with creative transitions\, focusing on strengths\, stability and alignment. \nWhether you are a beginner or advance practitioner\, using movement and breathwork\, rest assure you’ll leave feeling transformed in all aspects of the mind\, body\, and spirit. \nAdmission to the Freedom Tower exhibitions and galleries following the class is included with your RSVP. \nAttendees may park for free in the MDC garage at 500 NE Second Avenue\, between NE Fifth and NE Sixth Streets. \nPlease bring your own yoga mat. Yoga mats will not be available onsite. \nThe Museum of Art and Design (MOAD) at MDC may document the event\, including its attendees. By entering the area\, and/or participating in the event\, you consent to the recording and its use in any form.
URL:https://305hive.com/event/moad-moves-with-romina-carpio-5/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/06/Romina-sm-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T100000
DTEND;TZID=America/New_York:20260808T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021474-1786183200-1786212000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-08/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T100000
DTEND;TZID=America/New_York:20260809T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021475-1786269600-1786298400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-09/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T100000
DTEND;TZID=America/New_York:20260812T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021476-1786528800-1786557600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-12/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T100000
DTEND;TZID=America/New_York:20260813T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021477-1786615200-1786644000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-13/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260814T100000
DTEND;TZID=America/New_York:20260814T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021478-1786701600-1786730400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-14/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T100000
DTEND;TZID=America/New_York:20260815T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021479-1786788000-1786816800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-15/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260816T100000
DTEND;TZID=America/New_York:20260816T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021480-1786874400-1786903200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-16/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260819T100000
DTEND;TZID=America/New_York:20260819T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021481-1787133600-1787162400@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-19/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260820T100000
DTEND;TZID=America/New_York:20260820T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021482-1787220000-1787248800@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-20/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260821T100000
DTEND;TZID=America/New_York:20260821T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021483-1787306400-1787335200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-21/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T100000
DTEND;TZID=America/New_York:20260822T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021484-1787392800-1787421600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-22/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T100000
DTEND;TZID=America/New_York:20260823T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021485-1787479200-1787508000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-23/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260826T100000
DTEND;TZID=America/New_York:20260826T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021486-1787738400-1787767200@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-26/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260827T100000
DTEND;TZID=America/New_York:20260827T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021487-1787824800-1787853600@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-27/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T100000
DTEND;TZID=America/New_York:20260828T180000
DTSTAMP:20260511T192415Z
CREATED:20260511T192415Z
LAST-MODIFIED:20260511T192415Z
UID:10021488-1787911200-1787940000@305hive.com
SUMMARY:Abstraction as Legacy
DESCRIPTION:Part document\, part subjective storytelling\, visual art illustrates and offers nuance to significant moments in U.S. history. From portraits of well-known leaders to history paintings that speak to the sacrifice and strength of the American people\, the power of paint to render subjects remains unquestionable. \nThe act of painting can also make history. Through hard edges and expressive forms\, American artists re-imagined painting and used abstraction as a mechanism to consider the human body\, natural environs\, architecture\, emotion\, and an economy of line. \nThis exhibition is not meant to be exhaustive but intended to highlight the breadth of painterly abstraction in the United States. Following the 1950s\, it became clear that the art world turned to the U.S. for ingenuity and boundary-breaking abstract art forms. From trends that arose in Havana and made it to the U.S. through exile to experiments developed in New York and Los Angeles\, the legacy of American abstraction evolves as rich and varied. The featured artists include Young-Il Ahn\, Sam Gilliam\, Carmen Herrera\, Hans Hofmann\, Virginia Jaramillo\, Lloyd Kiva New\, William de Kooning\, George Morrison\, Noemí Ruiz\, Zilia Sánchez\, and Vaughn Spann. \nOn July 4\, 2026\, the U.S. commemorates and celebrates the 250th anniversary of the signing of the Declaration of Independence. This historic milestone offers an opportunity to pause and reflect on this nation’s past\, honor the contributions of Americans\, and to look ahead toward the future we aspire to create for the next generation and beyond. The legacy of painterly abstraction in the U.S. offers a distinctive way to celebrate the creativity and innovation that defines the American spirit. \nImage: Virginia Jaramillo\, Sidereal Inscriptions #1-213\, 1988. Linen fiber with hand ground earth pigments on paper. Image courtesy of the artist and Hales Gallery.
URL:https://305hive.com/event/abstraction-as-legacy/2026-08-28/
LOCATION:Freedom Tower\, 600 Biscayne Blvd\, Miami\, 33132
ATTACH;FMTTYPE=image/jpeg:https://305hive.com/wp-content/uploads/2026/05/Abstract-Small-scaled.jpg
ORGANIZER;CN="Museum of Art and Design (MOAD) at MDC":MAILTO:museum@mdc.edu
END:VEVENT
END:VCALENDAR